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Stoll eats up the part with great relish, but the Marvel movies have mainly drawn criticism for their dearth of truly compelling villains, and unfortunately, Darren Cross is no exception.
As the new CEO with evil designs on the hero’s technology, he strongly echoes Obadiah Stane from the first Iron Man flick.
The screenplay, credited to Wright, Joe Cornish, Adam Mc Kay and star Paul Rudd, is packed with belly laughs.
The light-heartedness assists in the suspension of disbelief required to go along with the premise and admirably enough, does not undermine the more emotional beats of the story.
The other panels held in Hall H this day that are not covered in the following article are The Boxtrolls, Sin City: A Dame to Kill For and Entertainment Weekly’s Women Who Kick Ass panel.
The article runs long enough as it is and I might save The Boxtrolls and Sin City for closer to when the films are released.
Hank and his daughter Hope (Lilly) enlist the help of reformed thief Scott Lang (Rudd), who takes on the Ant-Man persona to put a stop to Cross’s evil machinations.
Reed has acknowledged the lineage of “shrinking” special effects-driven films that include The Incredible Shrinking Man, The Fantastic Voyage and Honey I Shrunk the Kids, and Ant-Man earns its place in that pantheon.Many scoff at the inherent silliness of the premise, and then there’s the matter of original director Edgar Wright leaving the project, to be replaced with Peyton Reed.Marvel Studios has cleverly played the underdog card, just as they did with last year’s Guardians of the Galaxy, creating a fast-paced, raucously funny, very entertaining little beast.As is de rigeurwith these movies, be sure to stick around for two stinger scenes during and after the credits.